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・ Hans Neumann
・ Hans Neumayer
・ Hans Neurath
・ Hans Neuschäfer
・ Hans Neusidler
・ Hans Nicolai Hansen
・ Hans Nicolai Lange
・ Hans Nicolajsen
・ Hans Nieland
・ Hans Niels Andersen
・ Hans Nielsen
・ Hans Nielsen (actor)
・ Hans Nielsen (composer)
・ Hans Nielsen (speedway rider)
・ Hans Nielsen Hauge
Hans Niessenberger
・ Hans Niessl
・ Hans Nieuwenburg
・ Hans Nijman
・ Hans Nikolai Stavrand
・ Hans Nilsen Gubberud
・ Hans Nilsen Hauge
・ Hans Nilsson
・ Hans Nilsson (canoeist)
・ Hans Nilsson (footballer)
・ Hans Nilsson (musician)
・ Hans Nimmerfall
・ Hans Nobel
・ Hans Noel
・ Hans Noever


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Hans Niessenberger : ウィキペディア英語版
Hans Niessenberger

Hans Niessenberger was an architect of the latter part of the Middle Ages.
==Life==
Niessenberger's name is mentioned with comparative frequency in contemporaneous literature, but information about his personality and his works is somewhat more difficult to find. It seems however, that he was born in Graz, Styria.〔''Seckauer Kirchenschmuck'', 1880, p. 56〕 He worked on the choir of the Freiburg Minster from 1471 to 1480; in the latter year he was compelled to leave the task of building and to swear that he would not try to revenge himself for this. In 1480 he worked on St. Leonhard's Church in Basle; in 1482, on the Strasbourg Cathedral; and in the following year he probably was engaged on the Milan Cathedral with a yearly salary of 180 guilders.〔There is a "Johannes of Graz" mentioned as architect in Ricci, ''Storia dell' archit. italiana'', II, 388〕 The choir at Freiburg was turned over to him in 1471; the contract is interesting and instructive showing as it does the manner in which buildings of this kind were erected during the latter part of the Middle Ages, and how the working hours, wages, etc. were determined upon.〔Schreiber, ''Münster zu Freiburg'', Appendix, 15 sq.〕 The choir possesses great beauty, but it also manifests the peculiarities of Late Gothic architecture. It is long, like the main church, with the nave higher, the side aisles lower and somewhat narrower than in the front, and surrounded by twelve chapels, enclosed on two sides by fluted columns. The arched roof, supported by beautifully carved columns, forms a network. The windows are characteristically Late Gothic, and the arches are wonderfully delicate.

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